Deuce (Rory Gallagher album)

Deuce is the second solo album by Rory Gallagher, released in 1971. In contrast with his previous album, Rory Gallagher, where Gallagher tried for a precise, organised sound, Deuce was his first of many attempts to capture the energy of a live performance in the studio.[5]

1971 studio album by Rory Gallagher
Studio album by

Released 28 November 1971
Recorded 1971
Studio Tangerine Studios, Dalston, London
Length 46:30 (reissue 51:12)
Label Polydor(original U.K. release)
Atco(original U.S. release)
Buddah (1999 reissue)
Producer Rory Gallagher
Rory Gallagher chronology
Rory Gallagher
Live In Europe

Professional ratings
Review scores
Source Rating
AllMusic [1]
Amazon [2]
Pop Matters [3]
Rolling Stone (not rated)[4]

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Deuce was recorded at Tangerine Studios in Dalston with Gerry McAvoy on bass guitar and Wilgar Campbell on drums and percussion. The engineer was Robin Sylvester and it was produced by Rory Gallagher. In order to capture the feeling of a live performance that Gallagher wanted, he would often record immediately before or after live performances while keeping production at a minimum. It was released on POLYDOR SUPER 2383 076 in November 1971.[5]Deuce was remastered from the original master tapes in 1997 by Colin Fairly at Tony Arnold’s Courthouse Facilities in Dorset. The remastered album was released in 1998 with the bonus track “Persuasion”.

At the time of release, Deuce was not a huge success. Rolling Stone damned it with faint praise such as: “All of which is not to say that it isn’t a good album. If it isn’t a world beater, it isn’t all that bad either” and described the supporting musicians as “the highly pedestrian, almost pedantic bass and drum thumpings of two hacks named McAvoy and Campbell”.[4] However, over the years the album has remained popular with Gallagher’s fans which include many legendary guitarists. For example, Johnny Marr of The Smiths said in an interview: “There was one day when I was playing along with the Deuce album which was a complete turning point for me as a guitar player”.[6] And critic Dave Thompson says the album “peaks with the closing, broiling ‘Crest of a Wave’. With bass set on stun, the drums a turbulent wall of sound, and Gallagher’s guitar a sonic switchblade, it’s a masterpiece of aggressive dynamics, the sound of a band so close to its peak that you can almost touch the electricity.”[7] In an interview shortly after the release of the album Gallagher said “I was looking for a raw earthy sound on Deuce and I was fairly pleased with it. Deuce made the top twenty for one week, I guess I was a little disappointed but not depressed, after all 17,000 albums is not bad.”[8]

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