John Paxton

John Paxton (May 21, 1911, Kansas City, Missouri – January 5, 1985, Santa Monica, California) was an American screenwriter. He married Sarah Jane Miles Dec. 4, 1948. She worked in public relations for 20th Century Fox.[1]

For other people named John Paxton, see John Paxton (disambiguation).
John Paxton
Born (1911-05-21)May 21, 1911

Kansas City, Missouri, United States
Died January 5, 1985(1985-01-05) (aged 73)

Nationality American
Occupation Screenwriter

Some of his films include Murder, My Sweet in 1944, Cornered in 1945, Crossfire in 1947 (an adaptation of the controversial novel The Brick Foxhole that earned him his only Oscar nomination). He helped adapt the screenplay for the controversial movie The Wild One in 1953 starring Marlon Brando.

Paxton’s work twice received the Mystery Writers of America‘s Edgar Award for Best Motion Picture Screenplay, for Murder, My Sweet and Crossfire.

. . . John Paxton . . .

Paxton was born in Kansas City in 1911. He attended the University of Missouri where he studied journalism and was involved in college plays.

He went to New York. A cousin of Paxton’s father did publicity for Katherine Cornell and got him a job organising a play-writing contest for the Theatre Guild.[2] He went to work at Stage magazine as an assistant and ended up doing reviews . He became friends with a fellow reviewer, Adrian Scott with whom Paxton would later work in Hollywood.

When Stage magazine folded in 1943 Paxton moved to Hollywood and did a variety of jobs, including ghost writing. In 1943 Scott became established at RKO as a producer and got Paxton a job there was a writer.[3]

Paxton’s first credit was for My Pal Wolf (1944), a girl-and-dog film. Paxton gained critical praise for his adaptation of Raymond Chandler‘s Farewell, My Lovely, Murder, My Sweet (1944). This was produced by Adrian Scott and directed by Edward Dmytryk, and starred Dick Powell.

Paxton was reunited with Powell, Dmytryk and Scott on a film noir Cornered (1945). He worked on another noir, Crack-Up (1946) with Pat O’Brien, then made a third film with Scott and Dmytryk, So Well Remembered (1947).[4]

The three men combined for a fourth time on Crossfire (1947), a thriller about anti-Semitism that was a huge critical and commercial success. The team broke up, however, when Dmytryk and Scott were blacklisted and fired from RKO. Paxton took over from Scott as producer of an adaptation of Scott’s play The Great Man’s Whiskers[5] but it was not made. The Boy with Green Hair which Paxton and Scott were going to make was made by others.[6] Paxton quit RKO in July 1948.[7]

Paxton did some work on the script for Rope of Sand (1948) for Hal Wallis and worked on the documentary Of Men and Music (1951).

Paxton went to 20th Century Fox where he wrote Fourteen Hours (1951).

. . . John Paxton . . .

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. . . John Paxton . . .

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