The Year My Voice Broke

The Year My Voice Broke is a 1987 Australiancoming of agedrama film written and directed by John Duigan and starring Noah Taylor, Loene Carmen and Ben Mendelsohn. Set in 1962 in the rural Southern Tablelands of New South Wales, it was the first in a projected trilogy of films centred on the experiences of an awkward Australian boy, based on the childhood of writer/director John Duigan. The film itself is a series of interconnected segments narrated by Danny who recollects how he and Freya grew apart over the course of one year. Although the trilogy never came to fruition, it was followed by a 1991 sequel, Flirting. The film was the recipient of the 1987 Australian Film Institute Award for Best Film, a prize which Flirting also won in 1990.

1987 Australian film
The Year My Voice Broke

Video release artwork
Directed by John Duigan
Written by John Duigan
Produced by Terry Hayes
George Miller
Doug Mitchell
Cinematography Geoff Burton
Edited by Neil Thumpston
Distributed by Hoyts Distribution
Release date
  • 17 October 1987 (1987-10-17)
Running time
103 minutes
Country Australia
Language English
Budget $850,000[1]
Box office A$1,513,000 (Australia)

. . . The Year My Voice Broke . . .

In the 1960s, Danny, a thin, socially awkward adolescent, falls in love with his best friend Freya in rural New South Wales, Australia. Unfortunately for him, she is attracted to Trevor, a high school rugby star, larrikin and petty criminal who helps Danny with the school bullies. Shortly after sleeping with Freya at the abandoned house, Trevor steals a car for a joyride and is arrested and sent to juvenile detention; it is while he is away that Freya reveals to Danny that she is pregnant. Danny offers to marry her and claim that the child is his, but Freya refuses, saying that she does not want to marry anyone. Meanwhile, intrigued by a locket left to Freya by an elderly friend of theirs who recently died—engraved “SEA”—Danny begins to investigate the town’s past, and discovers a lone cross in the cemetery bearing those initials, belonging to a “Sara Elizabeth Amery,” who died days after Freya was born. Through inquiries with his parents, Danny learns that Sara was well known for her sexual promiscuity years ago, and that she was Freya’s biological mother, who died trying to give birth by herself at the abandoned house.

Meanwhile, Trevor breaks out of detention, steals another car, and severely wounds a store clerk during an armed robbery. Trevor returns to town long enough to reunite with Freya at the abandoned house, and learn that she is pregnant. The police arrive at Trevor’s hiding place, but Danny warns him, and Trevor is able to escape. The police then run his car off the road during the course of the pursuit, and Trevor dies the next day. Freya disappears, and later suffers a miscarriage and hypothermia until Danny finds her (at the abandoned house) and takes her to the hospital. Hesitantly, Danny reveals the identity of Freya’s mother to her. Realising the stigma now hanging over her, Freya decides to leave on the night train for the city. At the station, Danny gives her his life’s savings to support herself and sees her off—promising their friendship to one another and to keep in touch. Later, Danny travels to their favourite hangout spot and carves Freya’s, Trevor’s and his name into a rock, as his adult self informs the audience that he never saw Freya again.

John Duigan wrote a script based on his experiences going to a boarding school in the mid-1960s called Flirting. He was unable to get the film funded so wrote a prequel, The Year My Voice Broke, based on the leading character growing up in a country town. Duigan had worked with Kennedy Miller making the miniseries Vietnam and they agreed to make the film as one of four telemovies they were making for the Channel Ten network. Duigan was allowed to make the film on 35 mm.[2][3] The film was shot, but not set, in Braidwood, New South Wales. It had several working titles, including Reflections of a Golden Childhood and Museum of Desire.

The main theme used in the film is “The Lark Ascending” by English composer Ralph Vaughan Williams. At a 2005 special-event screening in Sydney, director John Duigan stated that he chose the piece as he felt it complemented Danny’s adolescent yearning. Additional source music featured in the film includes:[4]

All of the songs are to period, except “That’s the Way Boys Are”, which was released in 1964.

. . . The Year My Voice Broke . . .

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. . . The Year My Voice Broke . . .

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